Como desaparecer sendo todas as coisas: derivação e polimorfia em Francesca Woodman
DOI:
https://doi.org/10.35921/jangada.v0i9.54Palavras-chave:
Franscesca Woodman, Fotografia, Corpo, Desejo, Metamorfose, ExtravasaçãoResumo
RESUMO: Este ensaio parte da obra de Francesca Woodman para traçar, sobre a mesma, um fio narrativo sustentado nas ideias de dispersão, metamorfose e construção identitária. Considera algumas das suas principais temáticas, assim como os géneros e movimentos artísticos com que mais tem sido identificada, para alargar alguns posicionamentos críticos daí decorrentes.
PALAVRAS-CHAVE: Francesca Woodman, fotografia, corpo, desejo, metamorfose, extravasação.
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ABSTRACT: This essay is based on the work of Francesca Woodman to draw a narrative thread based on the ideas of dispersion, metamorphosis and identity construction. It considers some of its main themes, as well as the artistic genres and movements with which it has been most identified, in order to broaden some critical positions resulting from it.
KEYWORDS: Francesca Woodman, photography, body, desire, metamorphosis, extravasation.
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