A estética do ser-ímã de Hilma Af Klint: um amálgama entre a ciência e a ficção
DOI:
https://doi.org/10.35921/jangada.v1i14.268Keywords:
Hilma Af Klint, Hans Vaihinger, Ficção, CiênciaAbstract
ABSTRACT: This work makes the movement of embroidering the relationship between the creation of the Swedish artist Hilma af Klint and the scientific theories produced in her time, that in a game of feedback, explicit the power of the imaginary in the construction of realities and let us see how scientific knowledge fertilized his works, since science is also constantly being fed by fiction. To this end, we adopt here the conceptual perspective of the German philosopher Hans Vaihinger (1911), who considers the creative and inventive impulse of fiction and imagination over science, and the latter about fiction.
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